Make it sound
finished.
We build the tools that make your mixes sound like records. Every one is measured before it ships, so what you hear is real.
What's coming,
and when.
Every one of these is built, measured and in testing now. Here's the order they come out in.
VantageMastering
Mastering that listens first. It sets every module and lands your loudness target.
More Nov 4, 2026NuPumpFree · Nu series
A sidechain pump locked to your tempo, or keyed off your real kick.
More Nov 18, 2026CrucibleVocal chain
Your whole vocal chain in one plugin. It listens to the take and sets it up.
More Nov 27, 2026Black Friday bundleDeal
Vantage, Crucible and Ashfall together, for Black Friday.
More Dec 15, 2026AshfallInstrument
Pads, drones and swells for heavy music, landing on the drop.
More Jan 20, 2027RequiemReverb
Mix reverbs and huge spaces in one, built to stay out of a heavy mix's way.
More Feb 3, 2027NuSmashFree · Nu series
Three-band upward and downward smash. The OTT job, free.
More Feb 24, 2027MuzzleResonance suppressor
Finds the harsh frequencies and cuts them only while they ring.
More Early 2027BessemerInstrument
The industrial 7-string. Play heavy 7-string riffs from MIDI.
MoreMastering that listens first.
Press LISTEN and play the loudest part of your song. Vantage measures the mix, tames the frequencies that flare up, sets every module and lands the loudness you choose. Then COMPARE plays your original at the same loudness, so you judge the master, not the volume.
- Hit your loudness target without guessing. Streaming (-14 LUFS), Apple Music (-16) or loud (-9). In our tests on a real mix it lands within 0.1 LU.
- Never hand over a clipped master. Peaks stay under your ceiling, even on full-band noise slammed 12 dB over it.
- Sound like the records you love. Load a reference track and Vantage matches its tonal balance.
Your whole vocal chain in one plugin.
Drop it on a dry vocal and press LISTEN. Crucible hears the take, finds the key, the level, the frequencies that ring and where the S's live, then sets the chain for that singer. Tune, clean-up, compression, de-essing, tone, doubling and space, all in one place.
- Built for screams too. Flip CLEAN to SCREAM and it stops trying to tune the screams and hits them harder instead.
- Tuning with two characters. NATURAL keeps the vibrato and slides. HARD snaps to the note for the effect.
- Start from a sound you like. 32 presets for leads, doubles, rap, effects and screams, every one level-matched.
Pads, drones and swells for heavy music.
Ashfall builds the atmosphere under a heavy mix. Its swells land on the drop at your session's tempo, its sub locks to your tuning, and it ducks out of the kick's way so the low end stays tight.
- Land the swell exactly on the drop. SWELL builds over half a bar to eight bars, synced to your DAW.
- A sub that's always in tune. KEY and LOCK put it on your tuning's lowest string, from E standard to drop A.
- Pick sounds by ear, not by volume. 50 factory patches, every one level-matched.
The industrial 7-string.
Write the riff in MIDI and Bessemer plays it on a 7-string, through its own amp. No guitar in the room, no mic, no re-amping. Every string is modelled, not sampled, so it plays in any tuning and no two picks are the same.
- Heavy tunings built in. B standard down to drop E, the low string right where you want it.
- The double-tracked wall in one click. DOUBLE plays two separate performances, hard left and right. QUAD stacks four.
- Played like a guitarist would. Palm mutes in four depths, legato, slides, bends and harmonics, from keyswitches or the mod wheel.
No hype. Receipts.
Measured, not guessed.
Every build is tested against the numbers before it ships. Our limiter is judged by a reference meter far finer than a sample grid. Our EQ filters are checked against the textbook curves.
Honest A/B, always.
Louder always sounds better for about ten seconds. Our plugins compare at matched loudness, so you hear what changed, not the volume.
Fewer knobs, better songs.
If a control doesn't do something you can hear, it doesn't make the cut. Open it, hear the difference, get back to the music.
Mixing tips,
with receipts.
Short, practical fixes for heavy mixes. Every number is measured on real recordings, level-matched before and after.
Muddy chugs aren't your amp.
In this riff it's 160 Hz piling up every time the palm mutes dig in. Here's how to cut it only when it shows up.
Your compressor might be flattening your chugs.
A slow attack does the opposite of what you'd think: the pick gets through, then the body gets clamped. +3.6 dB of punch, measured.
Thin drums? Compress a copy.
Smash a copy of the drum bus and blend it under the dry kit. The hits stay sharp and the body comes up: +3.2 dB, measured.
Four free plugins.
No catch.
NuEQ, NuComp, NuGate and NuSat, built for heavy guitars, bass and drums. No email, no account, and they stay free.
Hear it first.
Get an email the day each release comes out, plus the free Heavy Mix Cheat Sheet: the low string of 10 heavy tunings in Hz, a frequency map, and two compressor settings we measured.